About Jason

Miami-based location sound supervisor delivering clean, editorial-ready production audio for film, TV, and commercials.

A detailed close-up of a weather-resistant sound bag worn over the back of a sturdy director’s chair, packed with a multi-channel mixer-recorder, wireless receivers, meticulously labeled frequency strips, and color-coded cables feeding into a neatly arranged harness. Behind, a blurred beachside commercial set reveals pale sand, turquoise water, and modern glass buildings in the distance, hinting at Miami’s coastline. Bright but diffused daylight from a lightly overcast sky minimizes harsh shadows, creating soft reflections on plastic screens and connectors. Photographic realism with a crisp, clean aesthetic, captured from a slightly low angle to make the equipment feel central and authoritative, conveying reliability and readiness for unpredictable on-location conditions.
An interior TV commercial setup inside a modern Miami apartment, with the focus on a compact mixer-recorder placed on a low rolling sound cart. The cart holds neatly coiled cables, wireless receivers with tiny LCD screens glowing soft blue, labeled lavalier pouches, and a slate resting beside them. The background reveals a blurred living room with clean white walls, tall windows, and hints of palm trees outside. Late afternoon sunlight filters in, mixed with soft LED panel light, creating gentle highlights on metal surfaces and a comfortable, professional mood. Photographic realism, framed using the rule of thirds with a shallow depth of field that emphasizes the cart as the control center of location sound.

Meet Jason Prince, Location Sound

Based in Miami, I supervise location sound for narrative, unscripted, and commercial productions, blending technical precision with calm, collaborative on-set leadership so directors, producers, and post teams receive emotionally honest tracks that cut smoothly and speed up delivery.

Details

IA Local 477 member, bilingual English–Spanish, valid U.S. passport, fully insured, COVID-compliant, experienced with union and non-union sets across the Americas, comfortable leading multi-camera workflows and coordinating with post from day one.

A night-time urban rooftop film set overlooking downtown Miami’s illuminated skyline, the focus on a pair of boom poles resting on padded stands, their microphones protected in sleek black blimps with furry windshields catching subtle rim light. Nearby, a compact sound cart with glowing LED meters, labeled channel strips, and coiled cables sits against a low parapet wall. The city’s neon signs and office lights create colorful bokeh in the background. A mix of cool moonlight and warm practical set lighting sculpts the scene, producing gentle highlights and purposeful shadows. Photographic realism, shot from a medium-low angle with asymmetrical composition, conveying a polished, cinematic, late-night production environment for high-end location sound supervision.
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