Jason Prince

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Selected Credits

Explore recent film, television, and commercial projects supervised on location throughout Miami and beyond.

A meticulously arranged field recording kit laid out on a dark, matte worktable, featuring a weathered professional field mixer-recorder, shotgun microphones with sleek matte-black finishes, blimps with fine mesh texture, coiled XLR cables, and neatly labeled SD cards in a clear case. In the background, slightly out of focus, stand padded hard cases and a rolled sound blanket against a neutral studio wall. Soft, directional overhead lighting creates crisp reflections along metal edges and subtle shadows under each object. Photographic realism with a clean, modern aesthetic, shot from a slightly elevated angle with shallow depth of field, conveying precision, reliability, and professional organization for high-end location sound work.

Credits

A cinematic outdoor film set at dusk on a quiet Miami street, focusing on a boom pole resting on a sturdy C-stand, its shotgun microphone snug in a gray blimp with detailed mesh and shock mount. Around it, colorful gaffer tape marks on sun-warmed asphalt, orange traffic cones, and folded sound blankets lean against a low stucco wall. The sky glows with soft blue hour light while practical sodium-vapor streetlights cast warm pools below, creating a subtle contrast. Photographic realism, captured at eye level with a wide lens to emphasize environment, evoking a calm, professional, on-location workflow atmosphere without any visible crew.
A detailed close-up of a weather-resistant sound bag worn over the back of a sturdy director’s chair, packed with a multi-channel mixer-recorder, wireless receivers, meticulously labeled frequency strips, and color-coded cables feeding into a neatly arranged harness. Behind, a blurred beachside commercial set reveals pale sand, turquoise water, and modern glass buildings in the distance, hinting at Miami’s coastline. Bright but diffused daylight from a lightly overcast sky minimizes harsh shadows, creating soft reflections on plastic screens and connectors. Photographic realism with a crisp, clean aesthetic, captured from a slightly low angle to make the equipment feel central and authoritative, conveying reliability and readiness for unpredictable on-location conditions.
An interior TV commercial setup inside a modern Miami apartment, with the focus on a compact mixer-recorder placed on a low rolling sound cart. The cart holds neatly coiled cables, wireless receivers with tiny LCD screens glowing soft blue, labeled lavalier pouches, and a slate resting beside them. The background reveals a blurred living room with clean white walls, tall windows, and hints of palm trees outside. Late afternoon sunlight filters in, mixed with soft LED panel light, creating gentle highlights on metal surfaces and a comfortable, professional mood. Photographic realism, framed using the rule of thirds with a shallow depth of field that emphasizes the cart as the control center of location sound.
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